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Dani Marti

1963 Born Barcelona, Spain
1978–1979 Ramon Gomis, studies in tapestry technique, Barcelona, Spain
1982–1988 MBA, Esade, Barcelona, Spain
1990–1991 Diploma Fine Arts, Julian Ashton Art School, Sydney
1991–1992 Fine Arts Course, Art Students League, New York
2000 Master of Arts, majoring in sculpture and installation,
College of Fine Arts, University of New South Wales, Sydney
2006 Master of Fine Arts, Glasgow School of Art

2017 I Am, Arc One Gallery, Melbourne
2016 Still Life in Yellow, Steel and Mandarines, Newcastle University Gallery, Australia
Fool’s Paradise, Dominik Merch Gallery , Sydney
Black Sun, Frematle Arts Centre, for Perth International Art Festival, Perth
2015 Slow Show, Greenaway Art Gallery, Adelaide
2014 RUN, RUN, RUN , Arc One Gallery, Melbourne
Surface Tension, Westfield Head Quaters, Sydney
2012 Against Day, Peloton Gallery , Sydney
Mariposa (Butterfly), Breenspace, Sydney
2011 Book of miracles, Arc One Gallery, Melbourne
TOUCH; The portraiture of Dani Marti, Newcastle Art Gallery, Australia
2010 Bacon’s Dog, Breenspace, Sydney
2009 Insideout, off site venue: 4 Parnie street, GoMA and Glasggay, Glasgow
Time is the fire in which we burn, Arc One Gallery, Melbourne
2008 One breath below consciousness, Breenspace, Sydney
2007 Glitering Shadows, The Studio, Glasgay Festival, Glasgow
Closer, Arc One Gallery, Melbourne
Off my noodle, Live Sites, Newcastle Region Art Gallery and Newcastle City Council, NSW
2006 Dark Bones, Citric Gallery, Brescia, Italy
The Seven Pleasures of Snow White, Sherman Galleries, Sydney
2005 There is nothing at the end of the rainbow, Arc One Gallery, Melbourne
Variations in a Serious Black Dress, Viewing Gallery, Sherman Galleries, Sydney
Orifices 2000–2004 and Looking for Felix 2000, Newcastle Region Art Gallery, NSW
2004–05 Variations in a Serious Black Dress, Canberra Contemporary Art Space, Canberra, travelling to
Hazelhurst Regional Gallery, Sydney; Port Macquarie Hastings Regional Gallery, NSW; Bathurst
Regional Art Gallery, NSW; Albury Regional Art Gallery, NSW; La Trobe Regional Gallery, VIC; Monash
University Art Museum, VIC
2004 Looking for Rover, Sherman Galleries, Sydney
Orifices 2000–04, The Esplanade – Theatres on the Bay, Singapore
2003 Variations in a Serious Black Dress, Room 35, Gitte Weise Gallery, Sydney
Portrait of a young man returning a ladybird to the grass, Arc One Gallery, Melbourne
2002 Blue angels, Galeria Alejandro Sales, Barcelona
Mother is crying, Briefcase Project and Block, Sydney
2001 You make me feel like love, peace and happiness, Gallery 4A, Sydney
I am forever blowing bubbles, Room 35, Gitte Weise Gallery, Sydney
missing spain, Casula Powerhouse Arts Centre, Sydney
Enhance Systems and Orifices, Span Galleries, Melbourne
Jamón, La Capella, Barcelona
2000 Thin Wall PB-I, Artspace, Sydney
Coco, Rubyayre Gallery, Sydney
Sorry I just dropped my guts, The Lounge, Casula Powerhouse Arts Centre, Liverpool, Australia
Looking for felix, Firstdraft Gallery, Sydney
1999 WS-S#, Room 35, Gitte Weise Gallery, Sydney

2017 Australasian Painters 2007-2017, curated by Artist Profile, Orange Regional Art Gallery, Australia
The Public Body 02, Artspace , Sydney
The Circle Divine, Arc One Gallery, Melbourne
2016 Immerse, Sandneskulturhus, Sandnes , Norway
Collected II, Wangaratta Art Gallery, VIC, Australia
Incandescence, Grace Cossington Smith Gallery , Sydney
Linescapes, Gatackers Art Space, Maryborough, QLD , Australia
2015 Mutacan con las mujeres, Centro Cultural Mutacana 100, Chile
La Vida es Esto, Domus Artium 2002, Salamanca, Spain
21, Casula Power House Museum, Casula, NSW, Australia
Exhibition A, Lock-Up Gallery, curated by Carrie MIller, Newcastle, Australia
Obey!, curated by Paco Barragan, Centro Cultural Matucana 100, Chile
Video Stage- Art Stage Singapore 2015, curated by Paul Greenaway, Singapore
Cementa 15, Kandos, NSW, Australia
2014 Adelaide Biennial, Gallery of South Australia
Your Nostalgia is Killing Me!, Gallery of Modern Art , Brisbane, Australia
One from none: the minimal aesthetic in art , Newcastle Art Gallery, Australia
Nervous Tension, curated by Anabelle Lacroix, Careof , Milan, Italy
Scanlines Remix, DLux Media, @ Brenda May Gallery, Sydney
2013 Fractions, PINTA Art Fair, video exhibition curated by Octavio Zaya, New York
Blake Prize of Religious Art, College of Fine Arts, Sydney
Videonale-14, Kunstmuseum Bonn, touring to Moscow during Moscow Biennal.
ECONOMY, CCA Glasgow, and Stills, Edinburgh, UK
From Madona to Madonna, DA2 , Salamanca, Spain
Marked, Cessnock Regional Art Gallery, Cessnock, NSW, Australia
DLUX Deluxe Editiions #1, Woolongong City Art Gallery, Rockhampton Art Gallery, Australia
OPEN 100, Artangel, UK
Fleurieu Art Prize, SA, Australia
Woollahra Small Sculpture Award, Sydney
2012 Summer Exhibition, Lausberg Gallery, Toronto
Silver 1987-2012, Wangaratta Art Gallery, VIC, Australia
2011 Group Show, Breenspace, Sydney
Lets the healing begin, IMA, Institute of Modern Art, Brisbane
INHABIT, Third floor, building 2, 92 White Post Lane, London
Art of the Ordinary, Arc One Gallery, Melbourne
Espiritu de Epoca, Una Decada de Pintura, MIAC, Lanzarote
Highly Strung, Peter Potter Gallery, Scotland
Found, Glen Eira City Council Gallery, Melbourne
2010 Social Documents: The Ethics of Encounter, Stills, Edinburgh
CinemaX; what I like to watch, MOCCA Toronto
100 YEARS: Highlights from the University of Queensland Art Collection, Brisbane
Vocal Thoughts, CACSA, Contemporary Art Center in SA, Adelaide
Cine the Barrio: La Velada de Santa Lucia, Maracaibo, Venezuela.
Hands On, Hazelhurst Regional Art Gallery, Sydney
2009 Non Age, Kunstalle Winterthur, Zurich
Runing Time: artist films in Scotland:1960 to now, Scottish Gallery of Modern Art, Edinburgh
Biennal de Lazarote: Energy, Crisis, Creation, MIAC, Lanzarote, Canary Islands
Où va la vidéo?, Kaunas In Art, Lituania; Tina B festival, Prague; Palazzo Ducale, Genova. A
project curated by Fondazione March
The University of Queensland National Artists’ Self-Portrait Prize 2009, UQM, Brisbane
2008 New, The University of Queensland Art Museum, Brisbane
50x50, Arc One Gallery, Melbourne
Jam, Peloton, Sydney
IDENTIDADES: Arte y sexos, Sala Astragal, Gijon, Spain
Festival SOS 4.8, Dept. of Culture Region Murcia, Spain
Gifts to the collection, Newcastle Region Art Gallery, Newcastle, Australia
Glasgow International, GI 2008, Glasgow
Australian, Casula Power House, Liverpool, Australia
Plastic Theory, Peloton, Sydney
2007 M.A.S.H Expanded Painting, coinciding with Miami Basel, Miami
Trouble with the weather, UTS Gallery, Sydney
Cornice Art Fair, Venice
He dominates all, Black Box, Puerto Rico
2006–07 Strange Cargo: Contemporary Art as a State of Encounter, Newcastle Region Art Gallery, Newcastle,
New South Wales, touring regional galleries in New South Wales, Victoria and Queensland
2006 Tomorrow Now, Foundation Bevilacqua Lamasa, Venice
The Projection Room, coinciding with the Liverpool Biennale, Liverpool
A man’s world, Museum of Brisbane, Brisbane
Love Video 2006, Gallery Sad- Artunison-, Moscow
VAD Festival Internacional de Vídeo i Arts Digitals, Girona
Iondromo Film Competition, M+B studio, Venice
Goods to Declare: MFA International, Bezalel Art School, Tel Aviv
Celeste Art Prize, Goldsmiths University of London, The Old Truman Brewery, London
Marks and Comments, MFA degree show, Tramway, Glasgow and MoCa, Roskilde, Denmark
Gridlines, Newcastle Region Art Gallery, Newcastle, New South Wales
II Premio Internacional de Pintura de Castellón, Fundacion Astroc, Madrid
SCREAM Sounding Images, in collaboration with Diana Simpson, CalArts, Los Angeles
2005 POST, Residence Gallery, London and Castlefield Gallery, Manchester
II Premio Internacional de Pintura de Castellón, Espai, Castellon
Glad-Wrap-Up, Sherman Galleries, Sydney
VAD Festival Internacional de Vídeo i Arts Digitals, Girona
Academy Now!, sound collaborations with Diana Simpson and Vivian Barty-Taylor, Royal Scottish
Academy of Music and Drama, Glasgow
Good and Gruesome, CCA Student Lab Night, CCA, Glasgow
Arafura Craft Exchange, Museum and Art Gallery of the Northern Territory, Darwin
New Town Pasadena, in collaboration with Diana Simpson, Armory Center for the Arts, Pasadena, CA
Nuit Blanche, Paris
2004 One Of: Festivus 04, Sherman Galleries, Sydney
PistilsI Petals, Fundacio Espais Conteporanis, Girona
2003 Festivus, Sherman Galleries, Sydney
Summer Show, Arc One Gallery, Melbourne
25 years of Mardi Gras, Tin Sheds Gallery, Sydney
Home Sweet Home: Works from the Peter Fay Collection, National Gallery of Australia, Canberra
The Canberra Contemporary Art Space and The Art Store Art Award 2003, CCAS, Canberra
2002 Festivus, Sherman Galleries, Sydney
Summer Show, Arc One Gallery, Melbourne
Opening Show, Arc One Gallery, Melbourne
Ruin, Helen Lempriere National Sculpture Award, Melbourne
Dressing and Dreaming, Sherman Galleries Hargrave, Sydney
Archive of Dud Slides, Briefcase, Sydney
2001 Artful Park 2001, Museum of Contemporary Art, Sydney
1x1, Boutwell Draper Gallery, Sydney
Blue angels, Helen Lempriere National Sculpture Award, Melbourne
Interiors, Object Gallery, Sydney
Plastic by nature, Canberra Contemporary Art Space, Canberra
Ante, Sydney Gay & Lesbian Mardi Gras Festival, Imperial Slacks Gallery, Sydney
2000 Twothousand&99, Exhibition and Performance Space, College of Fine Arts, University of New South
Wales, Sydney
Not quite right, Grey Matter Contemporary Art, Sydney
To exist (24), blue funghi, Grey Matter Contemporary Art, Sydney
1999 Three of a Kind, Gallery 19, Sydney
1998 Aula de Lletres, Barcelona, Spain
1997 What is love?, Toast II Gallery, Sydney
Fund-raising exhibition for the AIDS Trust of Australia

2013 NSW Artist Grant
2011 Creative Scotland, professional development grant
2010 Residency at Stills Gallery, Edinburgh
New York Studio Residency for 2012, Australia Council for the Arts
2009 Gallery of Modern Art residency in conjunction with Gay Men’s Health, Glasgow
2007 Newcastle Regional Gallery Residency, Newcastle
Australia Council for the Arts, New Work Grant- Established artist
Scottish Arts Council, New Work Grant
1999 Australia Council for the Arts, New Work Grant

2015 Thin Air, Lockup, Newcastle
2010 And that’s it, Stills, Edinburgh
Fat Faggot, Stills, Edinburgh
2009 The non age, four video portraits, Kunstalle Winterthur, Zurich
Disclosure, GoMA Glasgow
Time is the fire in which we burn, GoMA Glasgow
2008 David, Under the Coolabah Tree and El Zorro, Glasgow International, GI08
Bolted, Casula Power House, Liverpool, Australia
Paintings and sculpture
2008 Hilton Hotel, with Woods Bagot, Time is the fire in which we burn, Melbourne
2007 Ed Filipowski-Mark Lee, FLASH, New York
2006 Nunez-Martin Collection, Infanta Margarita (European Monarchs), Canary Islands, Spain
2005 Alexander Tzannes Associates, European Monarchs (Silver and Gold), Sydney
2004 George Freedman & Associates, Philip and Catherine (European Monarchs series), AMP Circular
Quay, Sydney
Burley Katon Holliday Architects, Sydney, The Last Sins of St Francis: Scaring the Flesh (last episode)
Fast Lane, Sans Torquay, Melbourne
2003 BatesSmart, Different Trains, Melbourne Crown Casino, Melbourne
2001 University of Wollongong, Lorca, New South Wales
2000 Murray Thomas, Architect, OBS 4, Sydney; Ian Halliday, Architect, Linda and WS-S, Sydney; Dale
Jones Evans, Architect, Australian Landscape – Yellow
1999 Burley Katon Halliday Architects, OBS 1, Sydney; Dale Jones Evans, Architect, OBS#3, Sydney
Architect Collaborations
2014 Midden, with Cox Architects, Newcastle Court House, Australia
2013 Green Square Library and Plaza, with Wardle and Aspect, competition stage, Sydney
2009 Sydney, Wardle+Hassel, Westfield and URP, Sydney
2006 Under the Crescent Moon, Wardle + Hassel and Lend Lease, Melbourne
2002–03 Docklands/Mirvac, Melbourne, conceptualisation and design of wind-wall installations, with Dale Jones

GoMA Brisbane, Australia
Art Gallery of South Australia, Adelaide, Australia
MUSAC, Leon, Spain
MCA, Museum of Contemporary Art, Sydney, Australia
Careof, Milan, Italy
The University of Queensland Art Museum, Brisbane, Australia
Chartwell Collection, Auckland City Art Gallery, Auckland, New Zealand
University of Wollongong, New South Wales, Australia
Newcastle Art Gallery, New South Wales, Australia
Penny Clive Collection, Detached Gallery, Tasmania, Australia
Art Bank, Sydney, Australia
Wangaratta Art Gallery, Victoria, Australia

John McDonald, ‘Review:The Public Body. 02 blurs the line between pornography and art’ Sydney Morning Herald, 16
August 2017
Linda Morris, ‘Artspace public body show ‘one of the most explicit exhibitions ever seen in Sydney’, Sydney Morning
Herald, 16 August 2017
Jill Stowell, ‘Weaving sight, sound, touch’, Newcastle Herald, October 22, 2016, Australia
Carrie Miller, ‘Portraits in Motion’, Australian Art Collector, and front cover , issue 77, July-September 2016, Australia
Kit Messham-Muir, ‘Dani Marti :New York, Sydney, Cesssnock ‘, Artlink , September 2016, Australia
Gemma Weston, ‘Dani Marti:Black Sun’ Artlink, April 2016
Ric Spenser, ‘Black Sun’ Exhibition Catalogue, Fremantle Art Centre, February 2016, Australia
Ruth Little, ‘We’re all lunatics now’, Firday 12 February 2016-blog, Australia
Christopher Barrett-Lennard, ‘Soft Power’, Art Monthly , pag 18 , April 16, 2016
Laetitia Wilson, ‘Perth International Arts Festival:Dark Matter’, Real Time, issue
Lucy Stranger, ‘Black Sun’, Artist Profile , 15 February 2016, Australia
John McDonald, ‘Western Wonders’. Spectrum, Sydney Morning Herald, March 5, 2016
Robert Nelson, ‘Marti’s Garden of Distortion’, THE AGE, 28 July 2014, Australia
John McDonald, ‘Master Showman’, Sydney Morning Herald, 15 March 2014
Melissa Pesa, ‘Adelaide Biennial’, Art Almanac, 26 February 2014, Australia
Wendy Walker, ‘Into the light: Nick Mitzevich and the 13th Adelaide Biennial of Australian Art’, Art Monthly, Australia, pag
36-41, issue 267, March 2014, Australia
Video interview with Dani Marti- Adelaide Biennial, Das Platforms, Australia
Andrew Taylor, ‘Blake Prize looks at creation beyond basic Christian teachings’, Sydney Morning Herald, October 10,
2013 , Australia
Katarzyna Kosmala, ‘Imagining Masculinities’, Routledge Advances in Feminist Studies and Intersectionality, pages
19-30, UK 2013
Susan Manfield, ‘Visual Art Review:Economy’, The Scotsman, 7 February 2013, Scotland
Ken Neil Online, ‘Economy’, Stills gallery Edinburgh and CCA Glasgow, 2013, Scotland
e-flux, ‘ECONOMY announcement‘
Carrie Miller, ‘Against Day’, the art life, September 2012, Australia
Una Rey & Faye Neilson,' Crafting pathos with Dani Marti', Art Monthly issue 255, page 5-7,November 2012, Australia
Kit Messham-Muir, ‘Touch; The Portraiture of Dani Marti’ art review, Art &Australia , vol 49, no3, p504, Australia
Naomi Gall, 'Recommended', Art Guide Australia, September 2012
Kit Messham-Muir, 'Interview with Dani Marti, artist, New York, 3 july 2012, studiocrasher you tube
Carrie Miller, 'Dani Marti:Mariposa", Art Monthly, issue 255, page 8-9, November 2012, Australia
Andrew Frost, 'Grants and Residencies', Australian Art Collector, issue 59, January-March 2012, pages 108-111, Australia
Rosemarie Milson. ‘Knowing the ropes’, Newcastle Herald Weekender magazine, front cover and pages 8-11, 5th
November 2011, Australia
Jill Stowell, ‘ Colourful characters’, Newcastle Herald, H2, Review, page 18 , 1st October, 2011, Australia, ‘INHABIT’, August 2011, UK
Dan Rule, ‘Dani Marti: Book of Miracles’, THE AGE, Life & Style section, page 5, 30th July, 2011 Australia
Megan Backhouse, 'Book of Miracles', Art Guide July/August 2011, page 31, Australia
Kirsten Lloyd, ‘The Ethics of Encounter’ Art Pulse, pag, 26-28, Vol2, No3, summer 2011, USA
Anne Kirker, ‘Let the healing begin’, ‘Art Monthly’, pag. 43-45, Issue 239, May 2011, Australia
Timothy Morrel, ‘Theraphy Session ‘Australian art Collector’, pag 102-105, Issue 56, April - June 2011
Craig Judd, ‘Bacon’s dog: Dani Marti’s portrait of Peter Fay’ Art & Australia, pag 26-429, March 2011
Fearghus Roulston, 'Dani Marti and Public Pillowtalk', Samizdat press, March 9, 2011, Edinburgh
Anthony Gardner, ‘Intimacies in a desert: the videos of Dani Marti’ , Atlantica magazine, primavera-verano 2011, issue
50, pag 98 -106, Spain
Dani Marti, ‘Vial Queen’ a project for Atlantica magazine, primavera-verano 2011, issue 50, front cover and pag 107-115,
Gao Gao, 'Seeing in the Dark: Dani Marti's ‘Variations on a Serious Black Dress', University Paper, March 2011, Scotland
Chris Reid, 'Intimate Warnings', Real time Magazine, February 2011, Australia
Rachael Cloughton, ‘The Ethics of Encounter @Stills” The Skinny’, 05 January 2011, Scotland
Paco Barragan, “Spirit of the epoch, a decade of painting’, exhibition catalogue, MIAC, Lanzarote, February 2011, Spain
Jason Smith, ‘Dani Marti: Finding Peter”, exhibition catalogue, Breenspace, July 2010, Sydney
Peter McKay, ‘the balance against us’, Vocal Thoughts, exhibition catalogue, Contemporary Arts Centre of South
Australia, 10 September – 10 October 2010
Camila Singh, ‘Cinema x:I like to watch’, review, Art Pulse, USA , April 2010
Stephanie Radok, ‘Raised Voices’, Australian Art Review, no. 24, August – October 2010, p84
Omar Kholeif , 'No social justice for Glasgow's art?', The Guardian, 15 September 2009, UK
Duncan Macmillan, 'Art review: Dai Nippon/The Tale of Genji', The Scotsman, 15 September 2009, UK
Charlotte Higgins, 'Glasgow's sex and drugs row rumbles on', The Guardian, 23 September 2009, UK
Allan Radcliffe, 'Conversation Piece', The LIst, Scotland, 22 September 2009, UK
Robert Nelson, 'Rumbling, dripping and slipping away', The Age, 30 September 2009, page 20, Australia
Talitha Kotzé, 'Dani Marti: Insideout', The List, 1 October 2009, UK
Lauren Mayberry, 'Sh(OUT) About Censorship', The Skinny, 2 October 2009, UK
Edd McCraken, 'Boycott threat to ‘homophobic’ council in censorship row', Sunday Herald,13 September 2009, pg 18, UK
Jennie Kermode, 'Dani Marti talks about film, art and HIV' Eye for Film, website, September 8 2009, UK
Graeme Murray, 'Artist makes abrasive point in city protest', Evening Times, September 4 2009, page 18, UK
Edd McCraken, ‘Artist attacks GoMA for ‘censorship’ of gay life exhibition’ Sunday Herald, 23 August 2009, pg13, UK
Ximena Moreno, 'Dani Marti', Arte al Limite, May-July 2009, issue 36, pp.14-21, pp.118-119, & front cover
Owen Craven, ‘Dani Marti”, Artist profile, issue 7, April 2009, page 50-53, Australia
Juliana Engberg, ‘On cultural capital’, Art & Australia, vol 46, no.1, spring, 2008, pp 48-49, Australia
Anthony Gardner, ‘The Gestural Unconscious’, catalogue essay, Breenspace, Sydney, July 2008, Australia
Laura McLean-Ferris, ‘Glasgow International Festival’, ArtReview, issue 23, page 140-141, June 2008
Martin Vincent, ‘Glasgow International’, Frieze, page 237, June.July.August 2008, UK
Sharon Mangion, ‘Glasgow International of Contemporary Art’, AN The Artists Information Company, 26 April 2008, UK
Martin Vincent, METRO, Art review, page 27, 21 April 2008, Scotland, UK
Laura Cumming, ’Glasgow makes a show of itself’, The Observer, Review, page 18, 20 April 2008, UK
Jack Mottram, ‘Outsiders give the art festival its edge’, The Herald, page 18, 18 April 2008, UK
Adrian Searle, ‘What a Riot’, The Guardian- g2 ARTS, page 23-25, 15 April 2008, UK
Paco Barragan, ‘The Hell of the Beautiful’ , Wynwood Magazine, 2008, pp 8-13, Miami, USA
Lois Rowe, IN TRANSIT catalogue essay for Glasgow International, 11-27 April 2008
Sandra Marron, ‘Glittering Shadows”, LIST Scotland Magazine, 4 October 2007, UK
Michael Hugues, ‘Insight Radio’, 101 FM, Glasgow, 28 September 2007, UK
Shelley Penn, ‘Harbour Master’, MONUMENT, issue 80, pages 48-52, 2007 Australia
John Calcutt, ‘Inside – Out”, catalogue essay for Glittering Shadows, Glasgow
Gerri Williams, ‘Sunday Arts”, ABC Television, 8 July 2007, Australia
Ashley Crawford, ‘Art around the galleries’, p.14 - A2, The Age, 19 May 2007, Melbourne
Penny Webb, ‘Closer at Arc one Gallery’ art review, The Age, 26 May 2007, Melbourne
Lisa Slade, ‘Strange Cargo’, catalogue essay, Newcastle Regional Art Gallery touring exhibition, 2006-2008
Paco Barragan, ‘Heaven & Hell’, Contemporary, issue 86, October 2006 pp. 58–59
Domenico Quaranta, ‘Closer’, exhibition catalogue, Citric, Brescia, October 2006
Paco Barragan, ‘The art of tying ends’, exhibition catalogue, Sherman Galleries, Sydney, February – March 2006
Peter Carrol, ‘Artwork raises a stink Minging’, Glaswegian, 15 June 2006, p. 5
Anthony Gardner, ‘There is nothing at the end of the rainbow’, catalogue essay, ARC One Gallery, Melbourne, March
Rick Rutjens, ‘Arafura Craft Exchange: Fibre 2005’, Object, no. 47, p. 44
Allison Gray, ‘Arafura Craft Exchange: Fibre 2005’, catalogue essay, Museum and Art Gallery of the Northern Territory,
May 2005, pp. 6–7
Angus Cameron, ‘Arafura Craft Exchange: Fibre 2005’, Australian Art Collector, issue 32, April – June 2005, p. 241
Robert Nelson, ‘Marti ties viewers in knots’, Age, Friday, 20 May 2005
Dominique Angeloro, ‘Negative attitude: Festivus 04’, Metro, Sydney Morning Herald, 26 November – 2 December 2004,
p. 26
Victoria Hynes, ‘Tactile textiles’, Australian Art Review, July–October 2004, p. 10
Victoria Hynes, ‘Dani Marti and Holy Holy Holy’, the(sydney)magazine, Sydney Morning Herald, July 2004, p. 94
‘Tactile textiles’, exhibition preview, Variations in a Serious Black Dress, Vogue Living Apartments, June 2004, p. 10
Martyn Hook, ‘House edge: Crown Promenade, Southbank, Melbourne’, Monument, no. 61, June – July 2004, pp. 22–6
Victoria Hynes, Looking for Rover, exhibition catalogue, Sherman Galleries, Sydney, March–April 2004
Desmond Foo, ‘Orifices’, The Straits Times, Singapore, 7 April 2004
Sasha Grishin, ‘Depth in surreal paradise lust’, Canberra Times, Canberra 25 February 2004
Ann Finnegan, Variations in a Serious Black Dress, exhibition catalogue, Canberra Contemporary Art Space, ACT,
February – March 2004
Marinka Ferrier, ‘Knots of seduction’, Artwrite, University of New South Wales, Sydney, 2003
Robert Nelson, ‘Floating into space’, Age, Melbourne, 7 May 2003
Roger Taylor, Radio interview, RRR, Melbourne, 23 April 2003
Victoria Hynes, ‘The semiology of weaving’, Art & Australia, vol. 40, no. 3, autumn, 2003, pp. 410–17, front cover image
Bruce James, ‘Mardi Gras 25 years show’, Sydney Morning Herald, 12 February 2003
Laura Murray Cree, Awesome! Australian Art for Contemporary Kids, Craftsman House, Sydney, 2002
Leta Keens, ‘Magic weaver – Dani Marti’, Belle, October–November 2002
David O’Halloran, ‘Go inside and freshen up’ (Helen Lempriere National Sculpture Award), Broadsheet, vol, 31, no. 2,
June – August 2002, p. 22
The Helen Lempriere National Sculpture Award, exhibition catalogue, Melbourne, March 2002
Victoria Hynes, ‘One metre x one metre’, Metro, Sydney Morning Herald, 14–20 December 2001
Anne Loxley, ‘Outdoor art’ (Artfull Park), Sydney Morning Herald, 6 December 2001
Sasha Grishin, ‘An ironic medium’, Canberra Times, 14 May 2001
Andrew Frost, ‘Undiscovered artists’, Australian Art Collector, no. 16, April – June 2001, pp. 74–75, front cover image
Helen Lempriere Sculpture Award, Arts Program, ABC Television, Sunday, 8 April 2001
Robert Nelson, ‘Winner shed’s pretension’ (Helen Lempriere National Sculpture Award), Age, Melbourne, 28 March 2001
Maria Bliske, ‘The Helen Lempriere Sculpture Prize’, Artlink, vol. 21, no. 2, 2001
Simon Rees, ‘Looking for felix’, Art + Text, no. 73, 2001, p. 87
Victoria Hynes, ‘Weird science’, Metro, Sydney Morning Herald, 22–28 June 2001
Interview with Bruce James: ‘I am forever blowing bubbles…’, Arts Program, ABC Radio, Monday, 11 June 2001
Ann Finnegan, ‘missing spain’, catalogue essay, Casula Powerhouse Arts Centre, Sydney, August 2001
Jane Barney, ‘Metis – waste’, catalogue essay, Canberra Contemporary Art Space, Canberra, May 2001
The Helen Lempriere National Sculpture Award, exhibition catalogue, Melbourne, March 2001
Verity Newman, ‘Not quite wrong’, City Sydney Hub, vol. 5, no. 49, 2000
Courtney Kidd, Critic’s picks, Metro, Sydney Morning Herald, 22–28 December 2000
Alexie Glass, ‘Chez view’, Metro, Sydney Morning Herald, 17–23 November 2000
Brian Boys, ‘Exhibitions site’, Monument, Architecture/Design Issue, October – November 1999, p. 39
Bruce James, ‘Conservation pieces’, Sydney Morning Herald, 21 October 2000
Victoria Hynes, ‘Lofty ambitions’, Sydney Morning Herald, 11 September 2000
Courtney Kidd, Critic’s picks, Metro, Sydney Morning Herald, 18–24 August 2000
Ann Finnegan, ‘Coco’, catalogue essay, Rubyayre Gallery, Sydney, August 2000
Ann Finnegan, Thin Wall PB-1, exhibition catalogue, Artspace, Sydney, February 2000
Bruce James, ‘Pope Alice overcomes strong penis challenge’, Sydney Morning Herald, 4 March 1999


"Blue on blue - Pink on pink"
Customised corner cube reflectors, glass beads on powder coated aluminum frame
60w x 60h cm

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